Theatre Prometheus is a not-for-profit company of directors, designers, actors, writers, and other theater artists based in Washington, D.C. Producing both classic and contemporary works, we share a goal of exploring and promoting women-focused, diverse narratives. We believe in the power of local theater and are committed to providing opportunities to local artists, creating productions both by and for the communities we live in.

 Stay tuned to all Theatre Prometheus happenings, including special events and artistic opportunities, by following us on Facebook and Twitter!  #BringTheFire       


Theatre Prometheus was founded in 2013 by a group of local artists, including Joanna Cross and current Artistic Director Tracey Erbacher. 

In March of 2016, Theatre Prometheus officially became a sponsored project of Fractured Atlas.  Thanks to their sponsorship, all donations to Theatre Prometheus are tax-deductible. 

In July of 2016, the Share Fund at The Community Foundation for the National Capital Region awarded Theatre Prometheus with a grant in support of our 2016 season. In September of the same year, the Awesome Foundation awarded us a grant for the production of [gay] Cymbeline.

"The direction, acting, performance style, and stage arts...are utterly beguiling."

-DCMetroArts on [gay] Cymbeline


Photo credit: Kelly Van Dilla

Photo credit: Kelly Van Dilla


Founding member and artistic director Tracey Erbacher has a passion for fierce, feminist theater, including re-imaginings of classic texts and the development of new work. Credits with Theatre Prometheus include Twelfth Night (2014), The Second Coming of Joan of Arc (2015 Capital Fringe Festival), [all lady] Macbeth (2016), [gay] Cymbeline (2017), and Abortion Road Trip (upcoming, 2017 Capital Fringe Festival). She has worked with many DC theaters, including the Shakespeare Theatre Company, Studio Theatre, The Folger Shakespeare Library, and NuSass productions. 

Tracey trained at the National Theater Institute at the Eugene O'Neill Theater Center, and graduated from Vassar College with a BA in Drama. At the Experimental Theater of Vassar College, she directed one of the nation's first productions of Caridad Svich's adaptation of Isabel Allende's The House of the Spirits


Photo credit: Brian Knapp Photography


Lauren Patton is an actor, director and the Associate Artistic Director of Theatre Prometheus. Lauren has been part of Theatre Prometheus since the summer of 2014.  Additionally, she has had the opportunity to work with a number of Washington, D.C. companies in a variety of roles. She directed Theatre Prometheus’ Capital Fringe 2016 Production of Naomi Iizuka’s Good Kids, which received widespread praise. Lauren starred in Theatre Prometheus' production of Abortion Road Trip, which won Best Comedy at Capital Fringe 2017. Lauren looks forward to the company’s upcoming projects. 

Lauren is a graduate of New Orleans' Loyola University, where she earned a dual degree in Theatre Arts and Mass Communications (Class of 2014, B.A.). Lauren also studied Screen Acting at Richmond University in London, England.

Photo credit: Jeff Mosier

Photo credit: Jeff Mosier


Caitlin Partridge is an actor and the Literary Director of Theatre Prometheus. Caitlin has been a member of Prometheus since 2014, when she appeared in its inaugural production of Twelfth Night as Viola. She has since appeared onstage in [all-lady[ Macbeth and [gay] Cymbeline (for which she also served as dramaturge). In addition to her literary and dramaturgical work for Prometheus, she has acted with a number of companies on the East Coast, including LiveArtDC, Boston Theater Company, Naked Theater Company, the O'Neill Theater Center, Underground Railway Theater, and Shakespeare & Company. She is passionate about theater education and has toured and led in-school workshops for Shakespeare Now!, a New England-based Shakespeare education company.

Caitlin received her B.A. in Theater Arts and History from Brandeis University and has trained at Shakespeare & Company, the National Theater Institute, and the St. Petersburg State Theatre Arts Academy in St. Petersburg, Russia.



Patrick Gallagher Landes, is a Producer, Theatre Artist, and Photographer in the DC area. His production credits include Theatre Prometheus’ Soldier Poet, 1, 2, 3: a play about abandonment and ballroom dance, Anon(ymous) and Source Festival’s Artistic Blind Dates. He has also stage managed for Factory 449’s Helen Hayes Award winning Lela & Co., Source Festival’s Artistic Blind Dates, Agora Dance’s The Kind of Thing That Would Happen and Agora Dance at the Millennium Stage, Green Spark’s Coping, and Brave Spirits’ The Bloody Banquet.

Photo credit: Andrea Rodway

Photo credit: Andrea Rodway


Reid Herreid is a playwright, dancer/choreographer, performer, and educator from Providence, Rhode Island. Reid moved to D.C. after graduating from Smith College in 2017 with a B.A. in Classics. They discovered Theatre Prometheus through the 2017 OutWrite Queer One-Page Play contest, where their play Reaction won the Crowd Choice Award and was then performed as a staged reading by Prometheus. Reid started with Prometheus as Assistant Stage Manager for Soldier Poet, and they have since continued to work with the company in administrative and artistic capacities.

Reid's creative roots started at JUMP! Dance Company where they danced and choreographed for 10+ years under artistic director Mary Paula Hunter. Reid is also a digital media artist; their digital short “the space between” was awarded the Tryon Prize for Art at Smith College in 2017, and was screened at the 2017 Five College Film Festival.

Photo Credit: Noah Bogdonoff

Photo Credit: Noah Bogdonoff


Eric McMorris is a technician and designer with a penchant for pulling sets out of thin air. He has been with Prometheus since 2014, when he designed for Twelfth Night and took on the role of Technical Director. His design credits with Prometheus include The Second Coming of Joan of Arc, [all lady] Macbeth, and [gay] Cymbeline. Eric has also worked with companies including WSC Avant Bard, Brave Spirits Theatre, and Nu Sass Productions, for whom he is also Technical Director, and has assisted at Studio Theatre and the Colorado Shakespeare Festival. He currently works as a staff carpenter at Studio Theatre, and freelances as a carpenter and electrician all around the DMV.

Eric started out as the Technical Director for the Susan Stein Shiva Theater at Vassar College, where he earned his BA in Drama and received the Molly Thatcher Kazan Memorial Prize for Distinction in the Theater Arts.

Photo Credit: Tara Savage

Photo Credit: Tara Savage


Olivia Suttles joins Theatre Prometheus after as Interim Development Director, bringing with her a lifelong obsession with the arts and connecting people with their passions.  A newcomer to the DMV, she has previously worked with the Young Professionals Choral Collective in Cincinnati, Ohio as a Fundraising Co-Chair, and with Pones Inc. as part of their Laboratory of Movement program.

In addition to development work, she has worked as a dance teacher and choreographer, chorister and defender of all things jazz.  She graduated from Ohio University with a B.S. in Journalism/Public Relations.

Photo credit: Evan Shen Adler

Photo credit: Evan Shen Adler


Yannick Godts has been with Theatre Prometheus since the beginning and has designed scenery and lighting for Macbeth, Twelfth Night, and [gay] Cymbeline, as well as graphics for most of the company's productions. He is the lighting supervisor for Pilobolus Dance Theater and spends most of his time touring with them around the country and the world. When not on the road, he lives in DC, where he makes art and builds things. He is originally from Rochester, New York and/or Belgium.



Photo credit: Teresa Castracane

Photo credit: Teresa Castracane

Renae Erichsen-Teal is an actor and singer based in the DC Metro area and the Communications Associate for Theatre Prometheus. Renae has worked both onstage and off in the non-profit world since her graduation from Christopher Newport University in 2014 with both a B.S. in Acting and a B.M. in Vocal Performance. Her recent performance credits with Theatre Prometheus include Abortion Road Trip and [gay] Cymbeline.  Previous development and communications experience includes working as the Development & Marketing Coordinator at the In Series: Opera & More and as the Development & Communications Coordinator at My Sister's Place. For more information about Renae, visit her website at www.renaeerichsen.com